As the artist behind this piece, I am thrilled to share the story and inspiration behind it.

In the enchanting world of 'It's Okay to Not be Okay' Episode 1, titled 'The Boy Who Fed on Nightmares,' we are introduced to a captivating character named Ko Moon-young. She is a woman who carries an air of coldness towards the world, boldly proclaiming herself as a 'pretty witch.' However, as the episode unfolds, her underlying trauma becomes increasingly palpable, leaving a profound impact on the viewers.

The essence of this painting is derived from a pivotal scene where Ko Moon-young delicately toys with a table knife. It is through this seemingly innocent act that her profound fascination with the knife quickly becomes apparent. It becomes clear that she clings to it as a coping mechanism, a source of solace and security in a world that often feels unpredictable and threatening.

My intention with this painting was to capture the complexity of Ko Moon-young's character and the layers of her emotions. I sought to convey her inner turmoil and the fragile balance between her icy demeanor and the vulnerability that lies beneath the surface. The brushstrokes, carefully chosen colors, and meticulous details all work harmoniously to depict this delicate interplay.

Through this artwork, I invite you to delve into the depths of Ko Moon-young's character, to unravel the intricacies of her psyche, and to connect with the emotions that resonate within each of us. It serves as a humble tribute to the incredible storytelling and characterization of 'It's Okay to Not be Okay.'

Thank you for joining me in this journey through my painting, "Seo Yea-ji: The Pretty Witch." May it serve as a gentle reminder that behind every seemingly strong exterior lies a world of vulnerability and the need for compassion.

Poster prints and canvases available here: https://digitaldreams.art/the-moon-young-collecion/